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Matt Singer

Matt Singer is the managing editor and film critic of the website ScreenCrush.com. For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
Memento

Someone Is Remaking Christopher Nolan’s ‘Memento’

If you were interested in movies back in the year 2000 and you didn’t have some kind of brain-destroying amnesiac condition, you remember Memento. The second feature by a British filmmaker named Christopher Nolan, Memento became a breakthrough in American cinemas (the indie made an impressive $25 million in U.S. theaters) and Nolan’s calling card in Hollywood, where he went on to become one of the most important and interesting filmmakers of his generation.

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Category: Articles

‘Spectre’ Review: For James Bond, Everything New Is Old Again

Spectre is amusing and stylish, but just barely. And its fixation on validating Bond’s worth in 2015 through a Snowden-esque subplot about a worldwide security network feels particularly inappropriate given the fact that so much of the movie is spent looking to Bond’s past, rather than his present or future.

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Category: Local News, Movies
unnamed

‘The Big Short’ Trailer: Four Investment Bankers Walk Into a Global Economic Collapse

Adam McKay’s best known as the director of Will Ferrell comedies like Anchorman and Step Brothers. His films tend to be weird, bizarre, and silly. But his 2010 buddy cop comedy The Other Guys ended on a note that was more outraged than outrageous: Animated infographic closing credits that outlined the reasons and details of the 2008 economic collapse (which was the background of the case investigated in the film by Ferrell and Mark Wahlberg’s characters).

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Black Mass
Warner Bros.

‘Black Mass’ Review: Johnny Depp as a Wicked Boston Gangster

Jawny Depp can be a great actuh. But at a certain point in the recent past, Jawny seemed to stop looking faw great material and stahted looking faw anything that would affawd him the awppawtunity to put on a crazy wig and speak in a weeuhd accent. In the past few yeeuhs he’s played a vampiyuh with crazy hair and a weeuhd accent, a Native American with a bird on his head and a weeuhd accent, a Canadian detective with a fake nose and a weeuhd accent, a singing wolf with crazy hair and a weeuhd accent, a British art thief with a crazy mustache and a weeuhd accent, and now, in Black Mass, he’s James “Whitey” Bulgah, with thinning hair and a thick Bahston accent. Do you think Jawny even remembuhs what he really sounds like at this point?

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Sicario
Lionsgate

Review: ‘Sicario’ Is One of the Most Intense Movies of the Year

‘Sicario’ is an exercise in prolonged tension like few others. Every moment from the first scene to the last is suspenseful. The opening, a deadly raid on a drug kingpin’s safe house establishes a terrifying precedent: In this film, violence can erupt at any time without any warning, and no one and nothing can be trusted. Having thoroughly unsettled the audience, director Denis Villeneuve keeps viewers on edge with shifty characters, sudden bursts of gunfire, and the careful use of a persistent, pounding score. Remember the scene in Boogie Nights where Alfred Molina is randomly tossing firecrackers at Mark Wahlberg and John C. Reilly? Sicario is like that scene for two straight hours with no “Sister Christian.” It is intense.

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